Studies in International Film Critical Analysis Essay

Studies in worldwide Film Critical Analysis - Essay ExampleThey produced films which were dream like with flawless linear communicative and with little relation with the realities of life outside the theatre. They conceived of a star system to help the marketing of these films. Hollywood films were exported all around the world and just after the World War 1 Hollywood photographic film was the major influence in the world of cinema globally. Both the German expressionism as well as the Soviet Montage movement countered this Hollywood supremacy and its concept of Cinema. The Soviet Montage Cinema had evolved a language through the classics of Edwin Porter (The Great Train Robbery 1905) and D.W Griffith (Birth of a Nation -1915), both of style from Hollywood. But it was the era of silent Soviet cinema of the 20s that gave this language a grammer.The grammer is decided by the handler and not by the actor. Actor, unlike in the Hollywood star system was yet another heading in front of the camera. After the 1917 October revolution, young film makers in Soviet Union, began working on mental synthesis a new cinema for the new society. They experimented with the camera and with the accidents on the edit table. Lev Kuleshov (1899-1970) was the leader of these experiments in the enjoin Film School. His famous experiment with the stock shot of the face of the actor Ivan Mosjoukin proved that a iodine shot generated no p cunningicular meaning. Two shots juxtaposed and clashing with each other generate a concept or idea in the mind of the spectator. Thus cinema happens not on the cloak but in the mind of the spectator. Sergei Eisenstein, the most famous disciple of Kuleshov, clarifies it like this A work of art understood dynamically is just a process of arranging images in the feelings and minds of the spectator (Word and Image, Film understanding PP 17). Vsevolod Pudovkin (Mother -1926) and Dziga Vertov (The Man with a Movie Camera -1929) were the other discip les of Kuleshove. battleship Potemkin Sergei Eisenstein is not only a master key film maker, but also one of the most prominent film theoretician in the memoir of world cinema. He developed the concept of montage further and found out five contrasting types of montage possible-- Metric Montage which concentrates on the contradictory lengths of the shots, Rhythmic Montage which concentrates on the contradictory movements inside the shot, Tonal montage based on the contradiction of color tones or emotional tones, Over fresh Montage depending on the over tones / under tones of color and Intellectual montage, consequential images juxtaposed and generating an intellectual idea. Battleship Potemkin made in 1925 carries all the five types of montages at different stages of the development of the film and hence is a text book for the Soviet Montage theory. The film is based on the incidents of 1905 revolution. The crew of a battleship revolts against the officers on account of bad mea t served to them. The officers oppress the revolt and the leader of the rebellion is killed. But the refractory crew captures the control of the ship which moves to the port of Odessa. The people of the port town join the rebels and start move the badly needed supplies to the rebellious ship. Suddenly the military appears to take revenge against the people, and the people be shot down brutally on the steps of Odessa. The battle ship returns fire to the military head quarters. The guns are